Pyrotechnics and pure self-expression at Burning Man
One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as theBlack Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when atemporary city rises out of the barren clay.
This is the surreal and amazing site ofBurning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people:temporary community, spiritual adventure, performance stage, desert rave, social experiment. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself—a skeletal sculpture set ablaze at the event’s conclusion.
In thisupdated editionwith fresh images, writer and photographerNK Guypresents16 years of Burning Man art. His dazzling images record theseparticipatory, collective, intrinsically ephemeralinstallations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the mostpure, uninhibited, expressive centers of our time.
With a foreword by temple designer and artistDavid Bestand a futureword by Founding Board MemberMarian Goodell.
NK Guyis a Canadian writer and photographer living in Britain. He is the author ofThe Lens: A Practical Guide for the Creative PhotographerandThe Photographer’s Dictionary.He documented the art of Burning Man annually between 1998 and 2014.